John McIntyre, whom James Wolcott calls "the Dave Brubeck of the art and craft of copy editing," writes on language, editing, journalism, and other manifestations of human frailty. Comments welcome. Identifying his errors relieves him of the burden of omniscience. Write to email@example.com, befriend at Facebook, or follow at Twitter: @johnemcintyre. Back 2009-2012 at the original site, http://weblogs.baltimoresun.com/news/mcintyre/blog/ and now at www.baltimoresun.com/news/language-blog/.
Tuesday, May 11, 2010
Monday, May 10, 2010
Saturday, May 8, 2010
The word, Bryan Garner reminds us, used to mean a loud argument that does not quite rise to the pitch of physical violence. Think of the noise in the saloon before the first chair is broken over someone’s head. But American English has extended to include all manner of scuffling and outright fighting, particularly, Mr. Garner notes, in police jargon.
Don’t bother with the barn door; that horse has been gone a long time. Bryan Garner thinks that there is a possibility of limiting altercation to “light roughhousing,” short of the point at which somebody gets killed, but I am not optimistic.
There may, however, be a faint possibility of breaking reporters of the habit. If you can persuade them that altercation sounds pompous, or even prissy, you might just be able to lead them gently to other possibilities, no matter what the cop’s report said.
Two people got into an argument, which heated into a dispute, which grew into a quarrel, which swelled into a fight. And maybe not just a fight, but a scuffle, a set-to, a fracas, a scrap. Who know? Maybe developing into a brawl, a free-for-all, a melee. The language is not short of resources to describe disagreements. Take it out and give it a little exercise.
Friday, May 7, 2010
Thursday, May 6, 2010
Wednesday, May 5, 2010
Tuesday, May 4, 2010
This morning I collected a stack of final examinations and editing projects from my students at Loyola, who will be expecting their grades within the next two days, and this afternoon I attempted to plumb the mysteries of NewsGate, the new editing and production system. It may be a day or two before I regain my footing with the blog.
But make no mistake. Not only am I back on Calvert Street, but I will also be reliably back at You Don’t Say.
Thank you for your many kind remarks since this restoration was announced.
Monday, May 3, 2010
Sunday, May 2, 2010
This kind of advice can be helpful to learners, or writers who want a quick yes–no answer. But it also tends to be simplistic and misleading, failing to reflect the subtlety and complexity with which skilled writers consciously use comma splices. Moreover, when authorities dismiss certain techniques out of hand without mentioning the breadth of their usage in various stylistic and historical contexts, they can perpetuate fear of making mistakes and ignorance of how language works.
Bryan Garner, in A Dictionary of Modern American Usage, summarises as follows: “Most usage authorities accept comma splices when (1) the clauses are short and closely related, (2) there is no danger of a miscue, and (3) the context is informal.”
[C]omma splices are often fine, but they create a noticeably casual effect that is widely considered ill-suited to contexts such as essays, reports, and business writing. They are seldom seen in news reporting except for rare appearances in dialogue, where they can serve to convey an informal speaking tone ... [o]r removed altogether, leaving run-on sentences that lend a breathless, stream-of-consciousness effect. ...